How would you describe the theme of the concert?

This concert is a vibrant celebration of contrasts—where tradition meets innovation. We journey from the bold, folk-inspired landscapes of the Guandong Overture to the avant-garde energy of Chen Yi’s Percussion Concerto, and then to the poetic storytelling of Wang Jianmin’s Erhu Rhapsody No. 6. It’s a showcase of Chinese orchestral versatility, anchored by the rhythmic brilliance of percussion.

Why spotlight percussion in this concert?

Percussion is the heartbeat of music, bridging cultures and eras. Chen Yi’s concerto—inspired by Peking Opera—is a thrilling dialogue between tradition and modernity. It’s rare to hear a percussionist as both soloist and storyteller, and Derek Koh’s virtuosity will reveal the instrument’s dramatic range, from thunderous power to delicate nuance.

What fascinates you about the Percussion Concerto?

Chen Yi’s piece is a masterclass in transformation. It reimagines Peking Opera’s iconic luo (gongs) and bo (cymbals) within a contemporary orchestral fabric. The soloist becomes a theatrical protagonist, navigating rapid shifts between rhythmic precision and free, improvisatory flair. It’s as much visual as it is musical!

Will you use Peking Opera’s unique percussion instruments?

Absolutely! The concerto features the jingbo (Peking Opera cymbals) and daluo (large gong), whose piercing, metallic tones evoke the opera’s battle scenes and emotional climaxes. These instruments add an unmistakable cultural fingerprint, blending with Western percussion for a truly global sound.

Any other highlights that audiences shouldn’t miss?

The Singapore premiere of Misty Rain on Maple Bridge is a hidden gem—its lush harmonies paint a soundscape of Jiangnan’s water towns. And of course, our encore, Christmas Suite, ties the evening together with festive joy. It’s a concert where every piece tells a distinct story, united by the orchestra’s dynamism.